Richard Bell, "Flower Of Life", Oil on Canvas, (40" x 40"). $5,000.
SOLD Richard Bell, "Rhapsody In Blue", Oil on Canvas, (20" x 30").
Richard Bell, "In A Silent Way", Oil on Canvas, (48" x 36"). $6,000.
Richard Bell, "The Deep", Oil on Canvas, (40" x 30"). $4,500.
"Natalia", Oil on Canvas, (40" x 30"). $4,500.
Richard Bell, "Three Graces I", Oil on Canvas, (48" x 24"). $3,000. // Set of Three $7,500.
Richard Bell, "Three Graces II", Oil on Canvas, (48" x 24"). $3,000. // Set of Three $7,500.
Richard Bell, "Three Graces III", Oil on Canvas, (48" x 24"). $3,000. // Set of Three $7,500.
Richard Bell, "Matters Of The Heart", Oil on Canvas, (40" x 30"). $4,500
Richard Bell, "Something I Dreamt", Oil on Canvas, (48" x 36"). $6,000.
"Cotes Sombre De La Lune", Oil on Canvas, (30" x 24"). $3,600.
"Back Study IX", Oil on Canvas, (48" x 36"). $6,000.
"Mask Off", Oil on Canvas, (40" x 30"). $6,000.
"Coltrane", Oil on Canvas, (60" x 48").
"Giant Steps", Oil on Canvas / Resin, (40" x 30"). $5,400.
"Miles", Oil on Canvas, (40" x 30"). $4,500.
"Dizzy", Oil on Canvas, (40" x 30"). $4,500.
Richard Bell, "Lean On Me", Oil on Canvas, (48" x 36"). $6,000.
"Aycil in Blue", Oil on Canvas, (40" x 30"). $4,500.
"Maria in Blue /(How Did I end up here?)", Oil on Canvas, (40" x 30"). $4,500.
"Luna Azul", Oil on Canvas, (40" x 30"). $4,500.
"Toss", Drybrush on Canvas, (40" x 64"). $7,200.
"Turn", Drybrush on Canvas, (38" x 64"). $7,200.
SOLD!! "Billie", Drybrush on Canvas-board, (18" x 24"). $500.
Richard Bell, "Dancer I", Oil on Canvas, (40" x 30"). $4,500.
Richard Bell, "Dancer II", Oil on Canvas, (40" x 30"). $4,500.
Richard Bell, "Chapeau", Oil on Canvas, (20" x 16"). $1,000.
Richard Bell, "The Gaze", Oil on Canvas, (36" x 48"). $6,000.
Richard Bell, "The Mystery", Oil on Canvas, (20" x 16"). $1,000.
SOLD!! "Marley", Drybrush on Canvas-board, (18" x 24"). $500
SOLD!! "Lenny Kravitz", Drybrush on Canvas-board, (18" x 24"). $500.
"Eistein", Oil on Canvas / Resin, (36" x 48"). $6,000.
"Ghandi", Oil on Canvas, (30" x 20"). $2,500.
Artist Statement
Richard Bell
One’s life’s experience should play a role in their interpretation of my work. When I challenge the viewer to perceive a somewhat ordinary subject matter and guide them into re-imagining the art in a way that impacts them emotionally, I feel I have reached my goal outside of technique and subject.
As I settle on a subject, how I feel about it dictates the materials I use to form the work. I began drawing with charcoal while in college. My uncle, a Bay Area artist, suggested I could paint. With his tutelage, I began painting in acrylic and oils. I use a myriad of brushes and pallet knives on canvas. Even though my approach can involve various materials and processes for each individual project, my methodology remains consistent.
My work is primarily figurative. I derive paintings from what I see in everyday life. I do portraitures in a contemporary style. With iconic figures, I use different mediums to express an aura or display an energy that I imagine resonates from them. I also like to explore the human form and all of it’s nuances by applying great contrast and perceivable depth.